------------------------------------------------------------------------------- IN FICION - Isis ------------------------------------------------------------------------------- Tabbed by: Email: nitsua@comcast.net Tuning: Drop B (B F# B E G# B) Key: B Minor (B, C#, D, E, F#, G, A) Length: 8:59 Guitar 1 - Aaron Turner, Lead Guitar 2 - Michael Gallagher, Rhythm Lyrics: Through fiction we saw the birth Of futures yet to come Yet in fiction lay the bones Ugly in their nakedness Yet under this mortal sun We cannot hide ourselves 0:08, 0:24, 0:40, 1:04, 1:20, 1:08, 2:11, 0:56, 1:12, 1:28, 1:36, 1:52, 1:24, 2:27, 1:44, 2:00, 2:16, 2:08, 2:24, 1:40, 2:43, 2:32, 2:48, 3:04 2:40, 2:56 1:56 3:00 Both B |------------------| B |------| B |-----| B |-------------------| G#|---10--13--15--11-| G#|---10-| G#|---5-| G#|---13-5------------| E |------------------| E |------| E |-----| E |-------------------| B |--0---------------| B |--0---| B |--0--| B |--0----------------| F#|-0----------------| F#|-0----| F#|-0---| F#|-0-----------------| B |------------------| B |------| B |-----| B |-------------------| 3:12 Guitar 1 B |-------------------------------------------------------------------------| G#|-------------------------------------------------------------------------| E |-------------------------------------------------------------------------| B |-------------------------------------------------------------------------| F#|-55555555555555557777777777777777----------------------------------------| B |-00000000000000000000000000000000----------------------------------------| B |-------------------------------------------------------------------------| G#|-------------------------------------------------------------------------| E |-------------------------------------------------------------------------| B |-------------------------------------------------------------------------| F#|-202020202020202020202020202020202222222222222222888810101010------------| B |-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-00000-0-0-0-------------| Aaron alternates playing these two riffs and ends up playing each one twice. Guitar 2 B |-------------------------------------------------------------------------| G#|--------------------------------66666666666666666666666666666666----8888-| E |77777777777777779999999999999999--------------------------------7777-----| B |-------------------------------------------------------------------------| F#|-------------------------------------------------------------------------| B |-------------------------------------------------------------------------| x4 4:15 Guitar 1 Guitar 2 B |------------------| B |----------| G#|------------------| G#|----------| E |------------------| E |-10----12-| B |------------------| B |-0-----0--| F#|-2222222219191919-| F#|----------| B |-0-0-0-0-0-0-0-0--| B |----------| x16 x4 4:46 Guitar 1 Guitar 2 B |----------| B |----------| G#|----------| G#|----------| E |----------| E |-10----12-| B |-777777-7-| B |-0-----0--| F#|-555555-5-| F#|----------| B |-000000-0-| B |----------| x16 x8 5:17 Guitar 1 B |--------------------------------------------------------------------------------| G#|--------------------------------------------------------------------------------| E |--------------------------------------------------------------------------------| B |-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\| F#|-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\| B |-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\-0-000-12\| Guitar 2 B |--------------------------------------------------------------------------------| G#|--------------------------------------------------------------------------------| E |-------10\-------10\-------12\-------12\-------10\-------10\-------12\-------12\| B |-0-000-----0-000-----0-000-----0-000-----0-000-----0-000-----0-000-----0-000----| F#|--------------------------------------------------------------------------------| B |--------------------------------------------------------------------------------| PM: ... ... ... ... ... ... ... ... 5:33 Both B |-------------------------------------------------------------------------------| G#|-------------------------------------------------------------------------------| E |-------------------------------------------------------------------------------| B |-0-10-12-0-10-12-0-10-12-0-10-12-15151515-0-10-12-0-10-12-0-10-12-0-10-12-3333-| F#|-0-10-12-0-10-12-0-10-12-0-10-12-15151515-0-10-12-0-10-12-0-10-12-0-10-12-3333-| B |-0-10-12-0-10-12-0-10-12-0-10-12-15151515-0-10-12-0-10-12-0-10-12-0-10-12-3333-| x2 5:48 Guitar 1 B |------------------------------------------------------| G#|------------------------------------------------------| E |------------------------------------------------------| B |------------------------------------------------------| F#|-55555555-----------55555555--------------------------| B |---------15151588888--------158887777-----------------| x4 Guitar 2 B |------------------------------------------------------| G#|------------------------------------------------------| E |------------------------------------------------------| B |-------------------------------------------1212121212-| F#|-5555555515151515121212121212555555551515151212121212-| B |-0000000012121212121212121212000000001212121212121212-| x4 These two parts played at 5:48 are in a really weird position. It's a lot easier to play certain notes on the F# string but if you watch there pro shot in Sweden this is where they play it for some reason. 6:31 Guitar 1 Guitar 2 B |-1212121212121212121212121212121212\| B |--------------------| G#|------------------------------------| G#|--------------------| E |------------------------------------| E |-77777777777777777\-| B |------------------------------------| B |--------------------| F#|------------------------------------| F#|--------------------| B |------------------------------------| B |--------------------| For 6:31 and 6:48, the trick is to activate a reverb pedal and roll your volume down while you slide the note down. Guitar 1 should start off picking quietly and get louder; Guitar 2 should start palm muted and slowly release it. 6:48 Guitar 1 Guitar 2 B |-1212121212121212121212121212121212\| B |--------------------| G#|------------------------------------| G#|--------------------| E |------------------------------------| E |-77777777777777777\-| B |------------------------------------| B |-00000000000000000--| F#|------------------------------------| F#|--------------------| B |------------------------------------| B |--------------------| 6:59 Guitar 1 B |-1414141414141414141414141414141415151515151515151515151515151515-| G#|------------------------------------------------------------------| E |------------------------------------------------------------------| B |------------------------------------------------------------------| F#|------------------------------------------------------------------| B |------------------------------------------------------------------| Guitar 2 B |-----------------12121212121212121212121212121212-----------------| G#|------------------------------------------------------------------| E |-7777777777777777-------------------------------------------------| B |------------------------------------------------------------------| F#|------------------------------------------------------------------| B |------------------------------------------------------------------| 7:07 Guitar 1 B |-1414141414141414151515151515151514141414141414141515151515151515-| G#|------------------------------------------------------------------| E |------------------------------------------------------------------| B |------------------------------------------------------------------| F#|------------------------------------------------------------------| B |------------------------------------------------------------------| Guitar 1 B |-1414141414141414151515151515151517171717171717171919191919191919-| G#|------------------------------------------------------------------| E |------------------------------------------------------------------| B |------------------------------------------------------------------| F#|------------------------------------------------------------------| B |------------------------------------------------------------------| Aaron alternates playing these two riffs and ends up playing each one twice. Guitar 2 B |------------------------------------------------------------------| G#|------------------------------------------------------------------| E |-7777777777777777777777777777777777777777777777777777777777777777-| B |-0000000000000000000000000000000000000000000000000000000000000000-| F#|------------------------------------------------------------------| B |------------------------------------------------------------------| x2 7:38 Both B |--------------------------------| G#|--------------------------------| E |--------------------------------| B |-33333333/5555500003330-0003330-| F#|-33333333/5555500003330-0003330-| B |-33333333/5555500003330-0003330-| 8:09 Guitar 1 B |--------------------------------------------------------------------------------| G#|--------------------------------------------------------------------------------| E |--------------------------------------------------------------------------------| B |3-3-3-33-33-33-3/7-7-7-77-77-77-7/8-8-8-88-88-88-8/10-10-10-1010-1010-1010-10-12| F#|--------------------------------------------------------------------------------| B |--------------------------------------------------------------------------------| Aaron plays this live but it isn't in the studio version. Guitar 2 B |--------------------------------------------------------------------------------| G#|--------------------------------------------------------------------------------| E |--------------------------------------------------------------------------------| B |3-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-30---------------| F#|3-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-30---------------| B |3-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-33-3-3-33-33-33-30---------------| There you go, In Fiction by Isis. Feel free to email me with any questions.